John Keat's "Ode to a Nightingale", "ode To Autumn" and "ode on a Grecian Urn"

The casual commentator of John Keats poetry would near undisputable as shooting be impressed by the swell and abundant exposit of its verse, the perpetual freshness of its phrase and the extraordinarily rich centripetal images scattered throughout its lines. But, without a deeper, to a greater extent intense tuition of his poems as mere p artistic creations of a larger whole, the reader may miss specific themes and ideals which ar not as readily app arent as are the obvious stylistic hallmarks. Through Keats eyes, the world is a give full of magisterial steady, both artistic and natural, whos inherent immortality, is to him a constant reminder of that man is irrevocably subject to descent and death. This theme is cardinal which dominates a large portion of his posthumous poetry and is most readily apparent in troika of his most noteworthy Odes: To a Nightingale, To nightfall and on a classical Urn. In the Ode to a Nightingale, it is the ideal beauty of the Nightin gales vocal music - as unchangeable as nature itself - in the Ode on a Grecian Urn, it is the perfection of beauty as art - transfixed and transfigured unendingly in the Grecian Urn - and in the Ode to Autumn it is the exquisiteness of the season - see and immortalised as part of the natural roulette wheel - which tokenise interminable and idealistic images of profound beauty.         In Ode to a Nightingale, Keats uses the key symbol of a bird to exemplify the perfect beauty in nature. The nightingale sings to the poets senses whose ardour for its song makes the bird pure(a) and thusly reminds him of how his knowledge mortality separates him from this beauty. The poem begins: My heart aches, and a drowsey numbness pains (Norton 1845). In this first line Keats introduces his own immortality with the ache heart... If you want to get a full essay, piece it on our website: BestEs sayCheap.com

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